Sunday, January 29, 2012

"So, tell me about yourself"

Sounds very familiar? You have obviously attended a lot of job interviews. This is the single most annoying question that the interviewer can ask. This means the interviewer has not read your CV that you have painstakingly made after using dictionary, correcting grammar, justifying lines, asking Peter Ponnambalams about the language to be used in the covering letter and all, sending it to him/her months ago. The interviewer summa comes and asks this ondrai ana annoying koschan. I wonder what they expect you to say that is not there in the CV.

Let me confess, I love giving interviews. Unlike you less fortunate makkal who go formally attired with coattu suittu kannadi ours (the media hep types) are a little less formal and can be fun. The boss was slightly (no, verry) doped out in my very first interview ages ago. So I ended up asking more questions than he did and joined work the following day (ya that vetti, what to do?). Years later, during freelancing times, the interviews became more like cold calls when I'd land up at the door step of various production houses at Famous studios. Most of these were run by husband and wife duos where the husband was the director and the once-upon-a-time-vetti assistant director got married to him and by default became this annoying producer. So, during these interviews while he'd be busy discussing the CV, Producer Madam would be checking me out, staring to see if you are potential purushan stealer. If a Madras ponnu like me could get that looks I could only pity the olli piccchan Delhi girls.

Apart from the profile of the job, the space as in physical workspace is something that I am particular about when choosing a potential employer. Five years ago, when I was on yet another interview giving spree, had almost said a yes to this production house. In the second and almost final interview when I had to meet the team, realized that their office , a make shift apartment in the lanes of Bandra was too dingy, with hajjar assistant directors, freelance producers sharing a cramped work station, the lunch being served at the receptionist's desk and all. Konjam Pukeshwari happened! The boss out there and I were discussing the salary bit but all that was running in my head was a picture of self sitting in one of the cubicles working with twenty others wanting to pull my chair in that office! By the time I was back to reality, realized we had already agreed upon the remuneration , had said a Yes and was back home. With great difficulty I had to pull myself out giving vague reasons on why I wasn't going for the offer. Two years ago, gave an interview with the rival company to the one I am working with. The interview happened over a video conference at their Bombay office. The first impression of the office was terrible.Eerie is the word. Very boring post office employee looking boring crowd, badly lit office, cramped etc. I soooo didn't want the job there. Thankfully they never got back to me post the interview.

The aruviest part is not being interviewed but being the interviewer especially when it is

a) candidates who are in the category of sending "I want to be copywriter" CVs marked not just to you but to those in other companies as well.

b) And there are others whose work (scripts for ads) is of superlative quality when they send it across to you along with the CV. When you meet them there is one mega distance between the Amaavaasai (scripts) and the Abdul Kadar (Candidate). Don't understand why they surutufy someone else's work and post it as theirs.

c) The over smart 20 somethings who think they know it all. Have had candidates saying "Nothing. I am good at everything I do" when asked about that one thing that they think they don't do well and need a little bit of improvement / training. #onetightslap.

d) People with chipped nail polish, dirty nails.

Every once in two years, even if one is not bored of his/her job one should summa attend interviews like I do. These days, I am back in the interview circuit not summa but seriously. It is increasingly getting difficult to think of excuses to get out of (present) office for interviews. How many times can I visit the doctor every week and sound like a perpetual noyaali? How many times can I get out for "bank work" or "rental agreement registration with tenant"? But kinda managing well till now I think. These days the interview locations and those who interview have changed. Coffee shops, South Indian restaurants have replaced dingy offices. Twitter makkal have replaced faces I have seen only in afaqs articles. The one thing (but for one or two occasions) that still hasn't changed .. almost every interview starts with a "So, tell me about yourself".. arrgh!

Saturday, January 21, 2012

Met A R Rahman!

It was a dream come true. Never thought I'd meet A R Rahman again, chat with him, take his autograph (yet again) on the Rockstar CD and click two lovely pictures!

Classic Incantations - The Babelsberg Film Orchestra is in India performing A R Rahman's background scores as part of the year of 'Germany in India'. "Let's make it happen!" was Rahman's one-liner sent to Dr.Marla Stukenberg (Director, Max mueller Bhavan) when she discussed the idea of the project with him, two years ago. In this five city tour, Germany's oldest film orchestra from Babelsberg are playing Rahman's famous and popular compositions arranged by the London-based conductor, orchestrator Matt Dunkley.

As media partners we were assured of an interview with Rahman and other dignitaries part of the project during the press conference in Mumbai. Honestly, I wasn't sure. There were more than 20 different crews from the electronic and print media but my colleague and I thought we'd wait and see if we could manage an interview with Rahman, when we reached the press conference on the 19th of January 2012.

The press conference started with a ten minute piece the orchestra and K M Music conservatory choir performed. What an experience! Watch it here . Here is a picture from the press preview performance.


The best part about the press conference were the strict instructions from the organizers that questions were to be only on the project and not anything else (read- Bollywood etc). But media being media had to , just HAD to ask Rahman about the Hosanna controversy . Thankfully, the organizers stepped in and requested the members of the press to avoid such questions.


(Pic above - Rahman at the press conference)

We had our questions ready for the one-on-one but still I wanted to ask Rahman a question on the project and my colleague encouraged me to since I was a little hesitant. Went ahead, introduced myself and asked Him about the pieces they were going to play at the concert and what made them choose the 15 pieces considering Rahman has composed for more than 100 films. Was super thrilled when both Rahman and Matt Dunkley answered the question.

(Pic above- Rahman at the press conference)

As soon as the press conference was over, I climbed up on stage ran behind Rahman not (just) for the one-on-one interview, but for a photograph. His trusted aide Swamidurai recognized me from a project I was a part of where Rahman played a key role . "Epdi irukkenga? Enga irukkenga?" he asked. Felt sooooo good! The organizers asked me to step aside and get into the press room for the one on one but Swamidurai called me aside when I mentioned I wanted a picture with Rahman. I sneaked in and thanks to Swamidurai, managed to click a picture with Rahman. When I wasn't sure if the picture had come out well, Rahman told Swami to click another one. My jaws dropped.. literally!


(Pic above - Rahman & I (minus 'I'))

After the picture, I hesitantly reminded Rahman about the project we had worked together way back in 1997. He gave one vague look and said "Yes I do ( from the old project and old company) and I was wondering why you mentioned a different company's name when you introduced yourself at the press conference". Jaw dropped again! Quickly took out the Rockstar CD, mentioned the songs and got his autograph. Blabbered everything I wanted to about his songs being my suprabatham to Rockstar songs to his music to.... blah blah blah ...Had to pinch myself again and again!

Post the personal interview which my colleague recorded, it was time to say tata bye bye. With the organizers around, Rahman asked my colleague and I "you are coming for the concert tomorrow right?" . We said "No Sir, no passes available.. konjam recommend pannunga". He looked up , smiled and I gave a paavam look at our client, the organizer and pleaded to give me a pass. She assured that she'd try but wasn't sure.

We thanked Rahman and left. The following day and thanks to our client and the group manager of the sales team in my office, managed two passes at the very last moment for the concert. Couldn't believe I was going to watch the concert after all the futile attempts to get passes calling Max mueller Bhavan, fb requests to Lapp India the sponsors , smsing friends etc.

It was concert time. The Mumbai concert started with the Warriors of Heaven & Earth suite. Lagaan, The Rising, Passage followed. Goose bumps when the Orchestra played 'Tamizha Tamizha' a tune very close to my heart. Navin Iyer joined the Orchestra for the Roja themes.

After full-on applause suddenly someone walked up on stage. It was Rahman himself who was greeted with non-stop applause for more than a minute. The crowd just wouldn't stop. He then played the final climax fight clip from Robot and then left it to the Orchestra and the choir ("Arima Arima") who played live for the same clip. Awesome it was!

127 hours and Lord of Rings followed before the short interval break.



(pic above - from the concert)

The concert resumed with the lovely 'Bombay' theme. Up next was an important piece. Wonder if any other composer would have ever agreed to include another composer's piece in his concert. And this is why Rahman, in my opinion is different from all the other composers, not just with his music but as a person too. The next piece was a 'Tribute to Indian composers'. It started with his father R K Shekhar's piece, followed by M S Vishwanathan's Malarndum Malarada, Illayaraja's Sendoorappoove, Salil Chowdhry, Laxmikant Pyarelal (Hero), S D Burman, Jatin Lalit's Pehla Nasha, Shankar Ehsaan Loy's Kal Ho Naa Ho (there were a few more Hindi ones). And Shankar Mahadevan was sitting as part of the audience and imagine how wonderful it must've felt for him. Watch it here .

And for him to include a fellow composer who once mentioned something on the lines of "Piano play pandravan ellam composer illai" IS something else only! As someone on twitter mentioned his mantra to choose love over hatred.Hats off to you Rahman!

And this Suite (Indian composers) ended with Rahman's compositions including "Oruvan Oruvan mudalaaLi" Missed the Madras crowd I say!

Elizabeth and my most favorite, Bose themes followed. Post the Meenaxi Suite was the much awaited Slumdog millionaire suite. Asad Ali Khan, the sitarist joined the Orchestra with the man himself A R Rahman playing the piano. Goose bumps I say !

Many thanks to the KMM choir, Babelsberg film orchestra, Soloists Kavita Baliga, Asad Ali Khan,Arun H.K, Navin Iyer, Deepiga ,Matt Dunkley and ofcourse Rahman for a magical experience yesterday.


It has been an extremely overwhelming, joyful two days. Can't quite describe the entire feeling you know. Rahman is God to me. Given a chance I'd keep his photo in the poojai room. More on the craze about Rahman and music later on another post.

Just want to thank Rahman again and again for this awesome experience. Thank you ARR!

Wednesday, October 26, 2011

Ra.One

Usually before a film is made, the writer narrates one-line/ story to the director, then screenplay, dialogues are written, Producer found, cast and crew finalized, shooting begins, editing post-production done, marketing begins simultaneously and then gets released after the film has been bought.

In Ra.One, first McDonalds, Youtube, Godrej, Horlicks, Nokia, Playstation, Western Union, Cinthol, Coke, Gopal palpodi, Gopuram Poosu manjal thool, Arasan soap, Susi Emu farms and other famous brands were first assembled, asked to put money in SRK's undiyal and THEN Saaruk, Mushtaq (his jaalra), Anubhav Sinha (yet another jaalra, also director), Karan Jogar (all-time jaalra), Gauri 'Botox' Khan all sat down together and decided to make a film with the kaanikkais received from the above brands based on what the brands stood for.


Aaarrgh.One

Saaruk Kaan is Shekhar + 'Veshti, Angavashtaram, SuruL mudi hair style' Subramanium - gaming designer, husband of Kareena Kapoor (I think her on screen name is Anjali, Pooja or some such thing), doting Appa of a nice cute boy Prateik. Appa designs game with Ra.One, G.one, H.a.r.t and all. Ra.one the bad guy comes alive out of the game trying to kill Prateik. So as per the rule of the Bollywood-Kollywood-Hollywood books, G.one had to come out alive to save Kareena and Prateik. Not just that. G.one is revived by Prateik after putting 'Subam' card so that we have a sequel to Ra.One called Arrgh.One next Deepavali with a new set of sponsors namely Anil Noodles, Jos Alukkas, Poomex Ulladaigal & Kisscol TMT Kambigal.

Crow.One

Its time Kareena Kapoor takes visiting cards of Botox doctors from Gauri Khan. Looks like Ms.Kapoor's dietitian Rujuta 80000-Rupees-a-session Diwekar's 'nutritious' diet does not cover the eyes. Crow feet around the eyes. Kareena kaa kaa kaapoor!

This Arjun Rampal looks like a crow that hasn't been fed for years. I say Kothavaranga looks prettier! This Rampal fellow has no persnaalty, no looks for a villain.One aaatu-daadi. That's all.

Bra.One

Don't know if Shekhar Subramanium wore a poonal in the film but Kareena sure did. What's with the forever bra showing Poonal Saree and Bollywood heroines? It is thanks to these people, these Peddar road mummies and Worli mammas compete with their teenage kids and wear poonal sarees n bum jutting skirts that don't suit them.

Kar.one

The film's title card thanks Karan Johar amongst 25,000 people. I think it is for letting Saaruk use Karan Jogar patented Karwa Chauth, Karwada Chauth in one senti 'humari-husband-humara-fast' type bleddy Bollywood scene.

(RD)Burm.One

Music by Durvasa Munivar aka Vishal Dadlani (if you follow him on twitter you'll know why I call him that) & Shekhar (not Subramanium). Quite like Dildara by Shafqat Amanat Ali. Nandini Sriker's rendition is quite awesome in

Oh yes, let me take this opportunity to plug a dear friend's voice in Chammak Challo. I am glad Hamsika has finally got a big break with this song.

Back to the music of the film by Vishal and Shekhar, ok, no harm idolizing a legend, in this case RD Burman but why do these guys (V&S) end up using RD's tunes as BGMs? They could've tried something totally new as G.one's theme instead of the usual RD type humming.

Bah.One

SRK eats noodles and curd.
SRK saying "Ayyayo", for 'Thank you' , 'Hello', 'Hi', 'Bye' and everything else
SRK acting like a cool dad.
SRK as G.one.
SRK.

Bleddy.One

This fellow called Satish Shah as Mr.Iyer, Saaruk's neighbour predictably goes around with his "Ayyayo, whatijeee" type nonsensical s%^! Wonder where all twitter makkal putting #wearetamils, #wearemaanasthans hashtag ordering people to retweet their tweets are now, as we witness the greatest insult of all time to Tamizh makkal. Would also like to know what A.R.Murugadoss who believes in whatever he wrote about Tamizh makkal being insulted and thrown out all around the world in 7aum Arivu, thinks about the potrayal of 'us' in Ra.One.

Gone

I hereby surrender my membership card as Superstar fan. Greatestestest insult of all time to His fans is Superstar's tundu beedi appearance as Chitti. Horrendous makeup, horrible wig, awful scene placement. I really wonder why He decided to do SRK a favour. It is sad Rajnikant had to stoop down to this level.

Ahaa.one

The kutty payyan Prateik is rombave cute. Watch the film before he makes his next hajjar appearances in the ads of Boom Boom Boomer, Horlicks, Pepsi, Whirlpool washing machine (as Kajol n Ajay Devgn's kid),Gold Winner oil, Chennai silks Children's day special and so on.

SFXes are very good. Sadly there is no story to do justice to the kicka$$ special effects.

HaHa.one

You know these films of the 80s where villains are such caricatures wearing ugly wigs saying "Khoon ke Khilaaf' and some such dialogues? In Ra.one, Dalip Tahil the so-called stylish NRI type actor (ya ya he was a tundu beedi in the 80s Bollywood films) is not exactly a villain, he is not a 'character' actor either. He is one eno-tano wearing the most atrocious wig of all time. And his gestures resemble the guy below...


he he he ! Me thinks Dalip Tahil & Country club fellow - #sameguy

Chee.One

The plot of super-heroes in a game coming out alive and fighting it out could've made a very good story had they paid some attention to it. Not sure how many parents would want their kids to watch a film with crappy jokes, references to that part of the body again and again. Forget kids, it is a pain for us adults to sit thru' the same Karwa Chauth, Mamta, Paribhasha, references to Bhagwat Geeta, Mahatma Gandhi, Pooja, Anjali, Punjabi, (Kareena's)pout, horse face, poonal saree.. Nahin Nahin Nahin!!!!!!

R'ayyayo'ne - 2 out of 5

PS - If you thought I was going to recommend 7-aum Arivu instead, Illai Illai Illai! adhu vera oru kodumainga!

Thursday, September 29, 2011

விளம்பர விளையாட்டு 35

Identify the nine advertisements in the picture grid (most of them on air now)
Email your answers to blogeswari {AT } gmail {DOT} com or post it in the comments section
  • Nine points to be won - One point per correct answer
  • One attempt per person - One guess per advertisement, please.
  • Please email your answers to blogeswari {AT} gmail {DOT} com or post them in the comments section on or before Wednesday the 5th of October 2011
*************************************************
Answers for விளம்பர விளையாட்டு 35 posted on 7th October 12:15 pm IST

Row 1 - Britannia Nutrichoice, Nirma, 5 star

Row 2- Idea, Sony Vaio, Tide Plus

Row 3: Emami Tasty n Healthy Sunflower oil, Lux, Closeup

Scores Rohini & Lavs - 5/9 - Congratulations!

Tuesday, September 27, 2011

Film-making: The madness : LOCATION -2

My obsession to spot similar locations across various films continues...


Karaikudi & around

The Chettinad Mansions and Palaces with wooden pillars, long corridors, beautiful windows and doors provide a superb backdrop to films featuring 'rich' families. Kanadugathan also has a temple and lake (if I remember right).The shooting permissions can be easily obtained to shoot anywhere thanks to the local production manager who also acts in most films shot there, as 'taragar', 'village man pottufying aamam in Panchayat' and other important roles.

Prabhu's house in his 100th film Rajakumaran was shot in one such mansion (Chettinad palace?), some bits of the songs Idhu daana from Saamy and Davani poatta Deepavali from Sandakozhi .

Cheran's house in Pirivoam Sandippoam was also shot in one of the huge Chettinad houses.
Have you watched this particular song in this film? The Dining hall is one of the several several several rooms in the house. Just look at the pillars and the flooring...

Kandukondein Kandukondein was shot inside this palace. Look at the Muttram. Simply wow it is, isn't it?

If you are looking for a place to travel to on your next weekend break or a mini holiday, do travel to Karaikudi and do a mini tour around these palaces and Chettinad houses. They are beauttttiful ! A lot of old Chettinad houses are now Heritage resorts. You can also visit the Sandai (local market) every Monday and shop for antiques of Chettinad.

Pondicherry

Puducherry is one hot destination for feature films. A lot of advertisement films also have been shot there. The architecture, beach , French roads and streets have made Pondicherry, a favourite shooting location.

Recently, Pondicherry featured in the bike chasing sequence in Ko. I see the French quarter in a lot of songs. Kaatril eeram from Veppam...


One of the main reasons, films are shot in Puducherry is probably because it is not as crowded as Chennai is especially on the roads and it is a lot cheaper. Shooting in Puducherry is most cost effective for producers compared to Chennai.

Talking about Chennai, I had this major query on one location in Chennai where Moondru mudichu was shot. It is the house where Balaji (Kamal), Prasad (Rajni) and Selvi (Sridevi) live as tenants. A huge house, big terrace, Ice-house (Vivekandar Illam) like architecture. Also, located bang in the middle of main road junction. Have been asking quite a few Tamizh movie enthusiasts if they knew where this place is.

Watched the film two days ago on television and guess what the credits said? "Thank you Mrs. Rajalakshmi Srinivasan for giving us a (your) location at 39, Eldams Road, Chennai -18 for shooting"

Ah, it is Ulaga Nayagan Kamalahassan's house at the Eldams Road -TTK Road junction! Wow, whattee veedu!


The name board outside the house - S.Charuhasan, Advocate (Kamal's brother)


The view from Ulaga Nayagan's house - A bus coming out of C.P Ramaswamy road and you can also see the road parallel to it (Ethiraj Kalyana Mandapam road).

The only thing that has not changed from then to now is the petrol bunk at the junction.

Have been planning to write this post on locations forever now and it's a mere coincidence that I managed to do it today as I celebrate the 10th Anniversary of my debut in feature films as a production & locations manager. Though I have moved on to do other things in life those 4 years were simply the best in my career.

My earlier post on locations here. Other film-making links from the blog - Click here and here.